Thursday, December 13, 2007

art imitates life

don't you love it when there's nothing on tv and you flip throught the channels and land on something on a whim and it turns out to be the most riveting thing you've seen in months?

just got home and the office was a repeat so i turned to tvo thinking there might be a decent documentary on. i was rewarded in spades.

to my sheer delight, they were showing a film called forever which documented random people visiting pere lachaise cemetary in paris. having spent innumerable hours in cemetaries myself in my visits to paris i was instantly intrigued that mine was a common obsession.

the director would focus on a tombstone that someone was maintaining or stopping to visit and we would learn about their personal connection to the person whose tomb it was. it was fantastic! most were artists' tombs. it was incredible to see how a piece of art (song or painting or film or poem) touched people so deeply that they felt a need to come and honour the creator. amazing how a shared idea can bring people close, connect us in such a powerful way.

i loved hearing the stories, witnessing the reverence and value of ideas and of beauty. loved, too, the way that local women with no connection to the deceased made it their personal responsibility to maintain the graves. thank god there's a little bit of old school reverance still humming in our communities. such an important role to play.

am always struck by this when i go to paris. the historic coincides with the present. it has an equal place in the esthetic of the place. it's all around you, breathing still. am also perplexed by the two faces of the coin this inevitably reveals, the bloody past and the beautiful exteriors. how can a society that was merciless and murderous also produce exquisite objects of art? are the two intertwined by necessity?

as always, was mesmerized by the people in the film and their stories, equally as compelling as those of the people they held in such high esteem. so great to see the graves of the common man acknowledged and explored. found myself drawn to these tombs as well. the little ones hidden in the corners, names almost indiscernable. like the people in the film, my experience in the cemetaries of paris was peaceful and positive. rejuvinating even. felt more spiritually fulfilled there than i did sitting in either sacre coeur or notre dame. feel as though you are dwelling in the paris of your romantic imagination in a visceral way.

funny how something i thought was unique to me and my sensibility was directed back at me through another's lens. incredible to see such a private experience the subject of a film. can't help but feel like i've been winked at by a secret society of sorts.

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